Hacker News
The Perils of ISBN
amiga386
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Sometimes these have different catalogue numbers or barcodes to distinguish them, sometimes they don't but they're still different. I've seen releases where the only difference is the label in the centre of the LP, or the back of the CD case has a two-column tracklisting vs a one-column tracklisting. Music publisher uses the same code and says it's identical and yet it's clearly not.
Then there's the recordings on an album, which even if they're never re-recorded can still end up chopped up, bleeped or remastered. They're not the same sound. MusicBrainz likes to track when they are exactly the same recording (e.g. the LP recording of a song appearing on a compilation album verbatim) and when they're not (e.g. radio edits of the LP recording). And if we're going beyond recordings by one artist of "their" song, i.e. cover versions, or just plain standards, those are "works", with composers, lyricists, and can be recorded thousands of times by different artists...
I greatly appreciate the pedantry and flexibility for noting down when creative works are the same versus where they differ, in relational database form.
millicentricism
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boznz
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CodesInChaos
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rahimnathwani
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For example, compare the most recent edition of 'Straight and crooked thinking' with the one published in 1930.
toomuchtodo
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bell-cot
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tl;dr; - The ISBN is intended to be a physical Part Number, within the book business. Where "hardcover, or paperback, or trade paperback, or large print, or revised edition, or ..." very much matters.